Des astéroïdes, un panda, la nuit New Yorkaise et un baiser
I love this scene, when Tyler, walking Ally and the giant panda to their taxi, dives in for a kiss, is rejected by Ally, and then tells her...
So, dessert first in case of asteroids, yes. But kissing a guy you seem at least somewhat attracted to before riding off into the unknown New York night alongside a panda you’ve only just met, no?
J'adore cette scène, quand Tyler, raccompagnant Ally et son panda géant en peluche jusqu'à leur taxi, tente de lui voler un baiser, est rejeté, et lui dit alors:
Alors, le dessert en premier, c'est oui. Mais embrasser un mec qui a l'air quand même au moins de te plaire avant de disparaître dans l'inconnu et dans la nuit à New York, aux côtés d'un panda que tu viens à peine de rencontrer, c'est non?
She's totally got him flummoxed, unlike all his other women. Tyler needs this particular type of uncertainty; his sexual prowess needs to be challenged, so that he can be guided to a woman who will help him attend to that to which he need to attend, but in a more optimistic way. He can continue grieving and writing and figuring out how to live with all that, but, with Ally helping--by just being herself--somehow, it'll all work out.
RépondreSupprimerI like your analysis as always jessegirl - you always nail it!! Ally is always herself, and she helps him be himself and grow.
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